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The syncopation is something I have added for the Fm7 chord, to shake up the ploddy rhythm up a bit. From gunky to funky. In the verse the Fm7 becomes F7 which is a nice secret agent touch. Why? Minor to major progression always lifts a tune. You will find that Adele writes/sings in Cm



A very easy one despite being in the key of E flat minor. Don’t let that put you off. At least it’s mostly black notes! 😀 The rapping is all played too, making the melody monotonous. Would sound better on electric piano using a warm synth sound. Try a harpsichord sound too.